Steibelt, Daniel (1764-1823)
heute: 49
gestern: 18
diese Woche: 155
letzte Woche: 232
dieser Monat: 474
letzter Monat: 1010
Total: 20154

United States 55.5%United StatesJapan 2.1%JapanBrazil 1.3%BrazilAustria 0.7%AustriaArgentina 0.5%ArgentinaSlovenia 0.3%Slovenia
Germany 10.6%GermanyCanada 2%CanadaPoland 1.2%PolandSweden 0.6%SwedenIreland 0.5%IrelandCzech Republic 0.3%Czech Republic
United Kingdom 3.9%United KingdomNetherlands 1.9%NetherlandsRepublic Of Korea 1.1%Republic Of KoreaAustralia 0.5%AustraliaNew Zealand 0.4%New ZealandDenmark 0.3%Denmark
China 3.6%ChinaItaly 1.5%ItalySwitzerland 1%SwitzerlandMexico 0.5%MexicoGreece 0.4%GreeceBulgaria 0.2%Bulgaria
France 2.4%FranceSpain 1.4%SpainRussian Federation 0.8%Russian FederationUkraine 0.5%UkraineFinland 0.3%FinlandBelarus 0.2%Belarus
recent visitor statistic

Projects

Star InactiveStar InactiveStar InactiveStar InactiveStar Inactive
 

Grande Sonate pour le piano-forté op.45 Eb-Dur

im Klang eines Schantz Pianoforte

(zur Paralellinterpretation im Klang eines modernen Bechstein)

erst logo

 

Comments   

0 # Professor, Department of MusicKathleen Solose 2018-07-30 18:54
Hello
great to hear this literature, even if it is somewhat wooden.
I’m curious about the techniques you are using.
I imagine you are translating scores directly to the sampled registers, and then tweaking the timing (in the case of the Adagio] in some places. In this age of difficulty to find venues and funding for live performance, it is a useful service that you are doing! Very interesting project.

Answer.S.F.: Following the idea of the historic informed performance this recordings uses a digital reconstruction of a Schantz pianoforte from the time in which this music was composed. You can also listen another recording of the piece in the sound of a modern Bechstein-Grandpiano on this site.
Quote

Add comment

Security code
Refresh