| heute: | 5 |
| gestern: | 15 |
| diese Woche: | 85 |
| letzte Woche: | 144 |
| dieser Monat: | 197 |
| letzter Monat: | 700 |
| Total: | 38477 |
 | 25.5% | United States |  | 4.1% | United Kingdom |  | 2.1% | Netherlands |  | 1% | Romania |  | 0.6% | Russian Federation |  | 0.4% | Singapore |
 | 21.2% | Germany |  | 3.2% | Italy |  | 1.8% | Brazil |  | 0.9% | Sweden |  | 0.6% | Hong Kong |  | 0.4% | Czech Republic |
 | 6.4% | China |  | 2.7% | Spain |  | 1.8% | Canada |  | 0.9% | Switzerland |  | 0.6% | Belgium |  | 0.4% | Poland |
 | 4.9% | Japan |  | 2.6% | Republic Of Korea |  | 1.3% | Australia |  | 0.9% | Mexico |  | 0.6% | Norway |  | 0.4% | Chile |
 | 4.6% | France |  | 2.1% | Austria |  | 1% | Colombia |  | 0.7% | Taiwan |  | 0.4% | European Union |  | 0.4% | Israel |
The classical repertoire for string quartett has developed an extremly rich musical language, one that is quite demanding for sampled instruments, since they must be able to reproduce literally every possible sound the real instruments can produce.
